showing 23 results matching jade mountain

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Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784.

Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790

China

G210

97.153.32

Mountain, 17th century

China

G210

wild tangle of tree branches and roots; some mountains in background; painted on flecked paper

%C2%A9 2010 Luo Jianwu

Cypress at jade mountain, 2010

Luo Jianwu

Not on View
rocky formations ascending upward; blue-grey, green and red foliage, flowers and moss; inscription at left edge, ULC

Red Jade and Coral, c. 1685

Cheng Yi

Not on View
grayish white stone with brown markings; the thin boulder carved in high relief with a figure riding on a donkey followed by an attendant carrying an umbrella in a rustic landscape, the reverse with a similar landscape and ancient pine tree, the cloudy stone with russet coloring added over mottled patches. Former Classification: Jade

Traveling in Autumn Mountains, 17th-18th century

China

G210

Brush stand of white jade in form of mountain with trees, a scholar, and a page on one side; a stork on the reverse. Wood stand.

Mountain with Base, 1736-1795

China

Not on View
Brush holder, white jade carved with design of landscape showing mountain rocks, flowers and Ling-Chih, the plant of Long Life.

Brush Pot, 1736-1795

China

G210

large square green and grey jade seal with cross-shaped faceted handle; handle has hole through top for hanging/storage and character carved into top

Official Taoist Seal, 14th century

China

G201

The opaque brown and cloudy tan-colored jade apparently burned in a fire, the shallow bowl with deeply rounded sides carved on the exterior and interior with butterflies and melon vine. Broken in two pieces and restored. Former Classification: Jade

Bowl, 17th century

China

Not on View
three larger characters at top center; two parallel lines below of looping writing; circular relief stamp URC; two square intaglio stamps at bottom; gold border

Mount Fuji, second half 19th century

Yamanaka Shinten'ō

Not on View
Table screen, white jade carved in relief on the face with the eight horses of Mu Wang in a mountain landscape with pine trees, the branches of one tree extending on to reverse side. Composition derived from a painting of Ma Yuan. A long poetic inscription and date at upper left added in reign of Ch'ien Lung.

Table Screen with Eight Horses, 18th century

China

G210

snuff bottle carved mountain and temple on one side and landscape on the other; brown and green jade; tourmaline and silver stopper

Snuff Bottle, 18th century

China

Not on View
detailed with scenes of scholars and attendants in a mountain retreat, with a central pavilion nestled amidst the overhanging rocks; a scene of three scholars seated listening to another play the qin in a bamboo grove; two other scholars are walking along a mountain path with two attendants following; reddish-brown color

Brush Pot, 1763 (dated by inscription)

Tung Wen

Not on View
man with very short beard and long curly hair, with head tilted up toward PR; man holds book in his PR hand and has PL hand on his breast; cliff and rugged mountain landscape behind man; text at bottom: "XI. / CARNIS RESURRECTIONEM."

Saint Jude, Plate 12 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
balding old man with curly hair and long wavy beard, looking over his PL shoulder, with his PR hand on the side of his head and his PL hand resting on a book; mountain landscape in background; X-shaped cross over man's PR shoulder; text at bottom: "II. / ET IN IESUM CHRISTUM / FILIUM EIUS UNICUM, DOMIN- / UM NOSTRUM]

Saint Andrew, Plate 2 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
slopes with foothills and a few red flags at bottom; lines of figures in blue, red, and yellow parade down slopes; at LL, three men with swords corner a wild animal; two other animals near L edge; larger mountain with trees at center; inscription at top

Watching a Hunt in Sendai, early 19th century

Hosokawa Rinkoku

Not on View
landscape with mountains and tany trees at left; man on horse with attendant, LLC; man on boat at right; buildings and water; seven-line inscription in black and two red seals, ULC; tan paper backing; on back, URC: N.V. Hammer Far Eastern Art sticker

Autumn Landscape [left of a pair of Spring and Autumn Landscapes], 1821

Urakami Shunkin

Not on View
landscape with some mountains at left and right and scattered buildings; waterfall in LRC; two walking figures, second panel from right, at bottom; two men in boad, LLQ; five-line inscription in black and three red seals, URC; tan paper backing

Spring Landscape [right of a pair of Spring and Autumn Landscapes], 1821

Urakami Shunkin

Not on View
two figures in pavillion on stilts in water; dark rock coveriing much of pavillon; pine trees and larger rock formations in background; bridge through haze at center; boat at L; inscription

Early Spring Landscape, Before 1459

Shūsei; Author: Inscribed by Sesshin Tōhaku

Not on View
pink blossoms and small flowers on a grey branch; inscription and 3 seals at right

Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
two lines of calligraphy with signature at L; brown mount

Temporary Palace at Yoshino, second half 19th century

Murase Taiitsu

Not on View
K'ossu picture scroll depicting the Five Hundred Lohan. The story is divided into nine episodes Buddha Descending from the Western Heaven; Ju Lai Exhorting the Ignorants; Proclaiming the Wonderful Truth; Glowing Rays Shining on Heaven and Earth; the Whole Universe is Enlightened; Gold Mountain and Wisdom Sea; A Mother Heart Benefits the People; Precious Gold Tripod and Long-Lived Buddha; Return to the Western Heaven. The story and the various episodes, are recorded in ten Chinese poems at the end of the scroll. The five characters on outside of scroll give the Title WU PAI LO HAN HSIANG (500 Lohan Images). The four Chinese characters on the pale yellow silk reserved for imperial use, are but the hand of Emperor Ch'ien Lung who made them in 1796, the year after the his abdication. the three small seals are felicitations. the scroll is mounted in fine yellow k'ossu with an all-over ground of geometric medallions in color. White jade clasp. For full description, see Accession file. Former Classification: Textiles - Tapestry

The Five Hundred Lohans, 1736-1795

China

Not on View
brush with magnifying glass to read poem written on brush; gift of Xing-Hang Yu

Art Brush, 20th century

China

Not on View

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